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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院你是我的命2010年中央电视台春节联欢晚会不伦食堂第一季娜希德强军妈妈你真棒高兴逮笨贼西部开拓史龙棺古墓2亡灵之花僵尸粤语爱你那天正下雨盗窃 低俗小说1%的可能性国语祝福1956情人知己海贼王剧场版9：冬季绽放的奇迹之樱连环大斗法最后的愿望爸爸、妈妈、爷爷、奶奶、外公叛逆之声单挑荒野第三季秘鲁奥鲁 Bhairavakona科学侦探园斩风行动伤心画廊过细
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院你是我的命2010年中央电视台春节联欢晚会不伦食堂第一季娜希德强军妈妈你真棒高兴逮笨贼西部开拓史龙棺古墓2亡灵之花僵尸粤语爱你那天正下雨盗窃 低俗小说1%的可能性国语祝福1956情人知己海贼王剧场版9：冬季绽放的奇迹之樱连环大斗法最后的愿望爸爸、妈妈、爷爷、奶奶、外公叛逆之声单挑荒野第三季秘鲁奥鲁 Bhairavakona科学侦探园斩风行动伤心画廊过细